NOTW: Gilda (1946) [restoration edit]I chose Gilda as noir of the week because even though it's highly acclaimed it seems to me it's not regarded as the classic I think it is. Hopefully you've all seen it so I'll skip the plot summary.
Before watching this movie I regarded Rita Hayworth mainly as a comic actress. And sure enough, the first few times we see her in this movie she gives us quite a few lighthearted laughs. We soon learn however that Gilda is a troubled young woman, with a dark both past and present. And Rita pulls this off in a marvelous way. In a way I never thought she could actually.
One of the very best scenes in my opinion is when Gilda has performed on stage and starts stripping, asking men in the audience for help with her zipper. I like a good striptease as much as the next guy, but watching this scene makes me want to scream at her to stop. It's a relief when Glenn Ford comes and removes her from the stage, even though he is rough and slaps the poor woman. You do not want to see her disgrace herself like that.

The striptease most defininitely is a cry for help, but she is still strong enough to resist any help offered her. Not even marrying Johnny Farrell (Ford), who seems to be her true love, helps. Sure Ford, under the influence of George Macready's character Ballin, had become very business oriented and not very loving. But Gilda gets all the chances to turn her life around a woman could possibly get, and still she resists these opportunities.
Gilda is not your regular femme fatale who manipulates everyone to get what she wants. To me she is a woman who doesn't know what she wants, so instead she ends up rebelling against everyone and everything. Not as a search for her place in life, but as the only thing she can think of. This isn't an evil woman who makes you cold to

The dialogue in this movie should be mentioned. It's truly outstanding. Sparks fly just about every time Gilda opens her mouth. The other characters do their best at countering her sparks, but Gilda is the center of attention in every scene she appears in. There is an aura of appealing yet frightening energy around her. I would go so far as to say that every other character in this movie is just there to give us some idea of what exactly is going on inside Gilda's head. And what a fascinating sight it is. This is a terrific movie everyone should watch.
Harald the Swede



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